Chinese Gardens and Fountains Are Clues to the Mind

Classical Chinese gardens and fountains are more than collections of beautiful plants, trees and water. They are representations of nature, providing insight into the philosophical and spiritual mind of past Chinese artisans and high-ranking citizens.

The principles of classical Chinese gardening can be useful and insightful to garden lovers living anywhere in the world. Chinese design objectives can inspire American home gardeners to try something new such as a garden fountain and encourage the expression of culture and philosophy through gardening.

In the 2,000 years since the imperial family first set aside natural areas for hunting, traditional gardens in China have developed into an art form equal in rank to painting, calligraphy and poetry. Several of the finest gardens, built during the Ming and Qing Dynasties (1368-1912), have survived the ravages of time and politics.

Suzhou, about 50 miles west of Shanghai, is known as "the city of gardens." For generations, rich officials, merchants, landowners, scholars, garden designers and garden crafters settled in Suzhou to enhance its fame. The principles of classical Chinese gardens were well represented in their gardens. Visitors come to learn their secrets and experience their magic.

These gardens provide insight into the traditional Chinese view of nature, which includes the role human's play in the natural order. The gardens hold clues to the ancient Chinese mind through the winding paths, the use of symbolism and the selection of plants. In the traditional Chinese view of nature, humans were equals with everything in the natural world. As the philosopher Lao Tsu wrote in the Tao Te Ching, "Man follows the earth. Earth follows heaven. Heaven follows the Tao. Tao follows what is natural." Traditionally, Chinese people assisted in the expression of nature but did not impose their will upon it.

Chinese gardens were originally designed to symbolize a living entity: rocks formed the skeleton, water and fountains functioned as the blood, while plants provided the clothing. To portray the influence of human beings in nature, architectural constructions (bridges, pavilions, halls, courtyards, gateways, windows, doors and pavings) were integrated into a garden's design. Their purpose was to illustrate the ideal interaction of humans with nature. Together, these elements made up all that is natural on Earth: vegetation, mountains, and bodies of water with gently flowing Chinese fountains as well as human influence. The way they were integrated into the garden expressed the relationships they have in nature.

Gardeners in the West may be unable to mimic the grandeur with which the ancient Chinese gardeners represented nature, but they can include parts of each element. The goal is to create a sense of wholeness within the limitations of the site and to consider all these elements as integral parts of the garden.

Just as a garden's main elements are symbolic of the parts of a living whole, symbols that make up the culture's beliefs are scattered throughout Chinese gardens and integrated in their design. For example, bad spirits were believed to travel in straight lines so pathways were seldom designed straight or flat. It was believed that the many changes in levels and directions made it difficult for these spirits to infect the people enjoying the garden. Dragons, symbols of strength, change and goodness, frequently adorn Chinese fountain walls and roofs of garden structures.

Suitability -- The most appropriate location for every feature of a garden must be found. Seasonal changes in weather and plants as well as the physical requirements of the garden site are considered. In addition to finding the most suitable site for each garden element (plants, rocks, water fountains and architectural constructions), details such as the size, shape, color and placement of railings, windows and doors in a building, for example, are also considered to ensure complete harmony of the surroundings.

Taking Advantage - The Chinese garden designer attempts to use the garden's surroundings, whether near or distant, to the best advantage. Sights, sounds, movement and stillness, the subtle and the obvious, are used as part of the scenes created within the garden. Many of the private gardens in China were small in size -- no larger than the typical garden sites of single family homes in the United States. It is the challenge, then, of the garden designer to create the illusion of spaciousness by incorporating far-off sights and sounds into the garden's ambiance.

Refinement - To define what is refined in the garden design is a judgment rooted in culture. In Chinese gardens, this refinement has meant incorporating a tranquility, gracefulness, elegance, neatness and distinctness that is in accordance with nature. The expression of these characteristics is judged in China against culturally accepted historical standards. Outside of China, gardeners can define what is considered refined according to their own standards.

Simplicity - To Ji Cheng, being simple means not being extravagant. Resources that are on site or nearby are considered the best materials to use in designing the garden. Rare or unusual objects and plants are considered extravagant.

Changeability - This objective is prominent in traditional Chinese gardens because it expresses the natural law of constant change. A garden design can create a sense of change and unexpectedness with scene changes in every turn of a path, an unexpected or different view from each window and aesthetic changes with each season. Designs can include changes caused by clouds, sun, wind, rain, snow, insects, birds, plants and water.
A garden's plants provide a link among all its elements, symbolizing harmony in nature. Plants are the garden's dynamic, living component.

In accordance with the Chinese view of gardens as representations of nature, the trees, shrubs and flowers of a garden are chosen to reflect the unique features of the garden's region. Most traditional Chinese gardeners select native plants, or plants with special meaning in Chinese culture. Bamboo, for example, is common in Chinese gardens because of the many lessons it teaches. Bamboo is strong and resilient. Staying green throughout the winter, it teaches that one can flourish despite harsh conditions. Bamboo grows in clumps, modeling life in the family. Its fast growth illustrates self-development.

The plants are situated in ways that show off an individual plant's unique features. Their arrangements in the design demonstrate their interrelationships with other species as they occur in their natural habitats. The purpose of plants in Chinese gardens is to reflect the inherent order of nature. More than a collection of plants or even an expression of beauty in the purely visual sense, the classical Chinese garden is a physical representation of Chinese philosophy and culture. These gardens embody the best of traditional Chinese thought and culture, which sees humanity functioning as part of a greater natural order.

Today, home gardeners can apply their plant growing talents in the spirit of these old Chinese gardens by expressing their own culture and philosophy toward nature in their garden designs and by applying Ji Cheng's design objectives. The result will be a garden that unites aesthetics, plant cultivation, philosophy and culture.

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Gardening For the Birds

One of the most beautiful sounds from the great outdoors is the sound of singing birds. Nature's song makers have long been welcome visitors to our gardens, providing valuable services such as pest control and pollination as well as adding beauty to the surroundings. Is your garden a welcome haven for avian visitors?

To attract and keep birds to your gardens, you need to step back and take a "bird's eye" view of your property. Birds are going to be looking for a few specific things before they decide to call your garden home, and if you can provide those things, you'll attract a lot of feathered friends.

First of all, does your garden provide food and water? Everything needs to eat, so think about what sorts of food your garden can offer. Insects, berries, seeds, and acorns are all food sources for several types of birds. Set up a few feeding stations to offer food; if you place them carefully, you'll be able to watch the birds from your home or from a sitting area in your garden. With an eye to water, consider adding a birdbath (change the water daily to prevent mosquito larvae), or a small pond to your yard. Birds need to drink and to bathe, so they're definitely going to be appreciative of clean water.

Secondly, does your garden provide shelter and hiding areas? Most birds are prey for something else, so they need places that they can hide from predators, and safe places to build nests and raise their young. Hedges, left unshorn, offer great bird places, as do most trees. Consider putting up bird houses to give your birds a place to raise their young in safety and comfort.

Finally, is your garden planted with the kinds of plants that will attract specific kinds of birds? Do a little research into the types of birds that you want to attract, and plant the sorts of things they'd like to see. Hummingbirds, for example, are attracted to nectar producing flowers with red, trumpet shaped blooms.

The National Wildlife Federation offers lots of information on gardening for the birds, and even offers a certification program for backyard wildlife habitats. Remember, no garden is complete without the sounds of birdsong and the beauty of our feathered friends. Be kind and provide them with the basics they need to live, and they will reward you with many seasons of song to come!

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All The Essential Garden Home Tools

There is no end to the possible tools that the gardening enthusiasts will need for this practical pastime. But some garden home tools are more essential than others if you wish to attain worthwhile results.

Having a good quality shovel will certainly save you many hours of back breaking effort. A quality shovel is one that won't break the first time that you punch the hard dirt and pull back on the handle. It also needs to withstand the effects of clay or rocks, maintaining a good edge.

A square ended shovel is ideal for removing large amounts of earth at once, but they do tend to be tougher to push into the ground. It's often useful to use them on softer earth or for transporting piles of mud that have already been formed. They also make great tools for dispensing compost and manure based fertilizer over the area you wish to focus on.

The triangular spade can make a fine all purpose tool, and is in particular handy for creating those larger holes that are required to transplant larger shrubs or plant trees. One version is the telescope handle shovel which is fitted with a very narrow blade - similar to a trowel by with a longer handle. They are perfect for making small holes while standing upright and are also great for many weeding tasks.

Garden shears are a basic requirement. They are available in several sizes and shapes, but make certain to get some that do actually fit your hand. Most of the shears are fitted with moon shaped blades, meaning that one side is convex and the other concave. They're ideal for cutting off stems, branches and dead leaves. The versions that are equipped with a locking device to keep them closed are great for extra safety and simple storage.

A standard hand rake is a very handy tool that may be used for more purposes than you may imagine. Even if you have an electric leaf blower packed away in your garden shed, you'll still find times when it's neater and easier to use a rake. It's also a key tool for de-thatching the lawn in the fall, or preparing it in the spring.

You'll discover that having a wheelbarrow can be very useful and will get used more often than you may suspect. If you have several plants that need transporting, it's much easier to place them at the bottom of the barrow and be on your way.

They are also ideal for distributing fertilizers. You can simply place the sacks in the wheelbarrow or pour the contents, then drop it all over a specific area and spread around with a rake. This can be much easier than carrying around a 30lb sack in both arms and pouring the content out.

Apart from the basics there are many helpful garden home tools. A pole saw or folding saw is perfect for pruning trees. A hoe is likely to be used frequently. A mattock is handy for relaxing earth during weeding and transplanting. Gloves are often needed when working with those prickly plants. A trimmer, watering can, weeding tools... the list is never ending.

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Creating Japanese Gardens

Japanese gardens create landscapes which resembles nature through the careful placement of trees, shrubs, rocks, sand, artificial hills, ponds, and water. Zen and Shinto traditions have greatly influenced Japanese gardening and as a result the gardens are contemplative and serene spaces. It is essential that all the elements work well together within the garden and that the relationship between rocks, plants and water is well thought out.

The basic landscape elements found in most Japanese gardens include trees, shrubs, rocks, gravel, water, moss, stones and fences. Boulders are often used as centerpieces and provide the garden with a feeling of stability. Gravel is used to imitate the flow of water and other small stones are used to create boundaries and are turned into sculptural lanterns. Water, whether it be in the form of a pond, stream, or waterfall, is an essential part of a Japanese garden. It can be actual water or a symbolic representation, either way, it is vital to the Japanese garden.

In Japanese gardening there are three basic ways to create a landscape scene. The first of these is reduced scale. Reduced scale is the art of taking an actual scene from nature, mountains, rivers, trees, and all, and reproducing it on a smaller scale. Symbolization is abstract and could include using white sand to symbolize water and boulders to symbolize islands. Borrowed views refers to the use of distant a landscapes, such as a mountain, and incorporating it into the garden.

There are several types of Japanese gardens. Zen garden are meant to be viewed rather than entered. They are comprised of a mix of boulders, gravel or sand, moss and a limited number of trees an shrubs. Carefully placed stones symbolize islands while the gravel or sand, raked into interesting patterns, symbolizes water. Zen gardens help clear the mind and aid in contemplation.

Another type of Japanese garden is the tea garden. The tea garden is considered a ceremonial space which consists of an outer garden and an inner garden. Tea gardens are small and are ideal for those gardens with limited space. The outer garden is informal and consists of an entry gate to and a stone path leading toward the inner garden. Another stone path flows through the inner garden, whose plants are more formally placed. The inner path leads to a small building where the actual tea ceremony is performed.

Another garden appropriate for a small space or patio is the courtyard garden. The design of the Japanese courtyard garden is kept simple and is usually built to be observed from inside the house. It could, however, be planned so it is a usable outdoor space. Consisting of a few plants, a small water feature, a dry stream, or other simple elements, the Japanese courtyard garden allows nature and light to flow into your home through large windows and patio doors.

The above examples are just a few Japanese garden styles. Before designing and planting your own garden, look through some garden books and search for photos of Japanese gardens online. Japanese gardens are intended to create a meditative and relaxing experience. A little planning and research will help you design a serene and beautiful landscape which will delight all who visit your garden.

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Interested In A Japanese Garden?

If you have ever been lucky enough to behold a Japanese Garden then you'll surely know what it is to truly want something. Everyone who has ever seen one of these gardens wanted one in their home simply because they are that beautiful. Well good news, it's not that hard so don't wait any longer, now you can actually have it!

A Japanese garden can be quite versatile although the overall landscape is fundamentally Oriental. But it can include anything from a fish pond with Koi fish to a rock waterfall and even a stream depending on how much space you have and how much of a true Japanese garden you want.

The first task is to dig a ditch for the pond for the Japanese garden since no garden is complete without this. After weeding the desired area and making a sizable ditch, it is wise to go down to your local home and garden store to see what kind of materials, pond molds and other things that you'll need for the garden to keep it well maintained and healthy even after you complete the project. Pond molds are black containers that are used to protect fish and other livestock from being contaminated but cement and soil that are used in the garden project.

A nice addition to a Japanese garden is not just a fish pond but also to furnish the pond with oriental style plants. Plants like reeds and short filler plants work extraordinarily well with the Japanese garden since these are very easy to maintain and don't grow very fast.

These plants can be tied into the garden using small pots or flat stones. Pond stones can be purchased or if you live close to a stream you can find a great selection there also. Placing these flat rocks around the rim of the pond will took care of not just the oriental plants but also it will help keep the pond mold in the ditch more firmly in place.

Next up is the task of decorating the Japanese garden. With an actual Japanese garden, less is more. Because plans and rocks are very eye catching, too many of them will overcrowd the balance and take away from the garden as a whole so it's best to limit the amount of plants and other ornaments like statues and statuettes. Another nice addition is a small Dojo house and an oriental statue, something that perhaps symbolizes peace or tranquility.

Absolutely everything you need for your Japanese garden can be found online but because of the popularity of these gardens in recent times many local home and garden stores carry a wide range of plants, ornaments, statues and other Oriental things that will complete your garden. Just remember that less truly is more and do leave a lot of space in between your decorative ornaments so that you don't hide the beauty of your garden.

A Japanese garden is simple to make and it is relatively inexpensive. In fact with the right amount of looking around and creative thinking you can put together your very own low cost Japanese garden that looks like you imported it directly from Japan!

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The Basics of Japanese Gardening

Things to keep in mind for a beautiful garden

Main principles on the garden's design

Bring the Japanese feeling into your garden with these basic steps. First of all, embrace the ideal of nature. That means, keep things in your garden as natural as possible, avoiding to include things that could disrupt this natural appearance.

For example, don't include square ponds in your design as square ponds are nowhere to be found in nature. Also, a waterfall would be something closer to what exists in nature if we compare it to a fountain. So you also have to consider the Japanese concept of sumi or balance. Because one of Japanese gardening design main purposes is to recreate large landscapes even in the smallest place. Be careful when choosing the elements for your garden, because you don't want to end up filling your ten by ten courtyard with huge rocks.

As a miniaturized landscape, the rocks in the garden would represent mountains and the ponds would represent lakes. A space filled with sand would represent an ocean. By that we assume that garden masters were looking to achieve a minimalistic approach, best represented by the phrase "less is more".

The elements of time and space

One of the things westerners notice at first are the many portions of empty space in the garden. In fact, these spaces are an important feature in Japanese gardening. This space called ma, relates to the elements around it and that also surround it. The concepts of in and yo are of vital importance here, they are best known to the Western civilization by the Chinese names yin and yang. If you want to have something you have to start with having nothing. This is an idea quite difficult to understand, but it is a rule of thumb in Japanese gardening.

An important clue in the development of a garden is the concept of wabi and sabi. There's no literal English translation for those words. Wabi is about uniqueness, or the essence of something; a close literal translation is solitary. Sabi deals with the definition of time or the ideal image of something; the closest definition might be time strenghtened character. Given the case, a cement lantern that might appear unique, would lack of that ideal image. Or an old rock covered in lichens would have no wabi if it's just a round boulder. That's why it is important to find that balance.

Ma and wabi/sabi are connected to the concepts of space and time. When it comes to seasons, the garden must show the special character of each one. Japanese garden lovers dedicate time to their gardens every season, unlike the western gardener who deserts in fall just to be seen again in spring.

A very relaxing view in spring is given by the bright green of new buds and the blossoms of the azaleas. In summer, the lush foliage in combination with the pond offer a powerful and fresh image. The vivid spectacle of the brilliant colors of dying leaves in fall are a prelude for the arrival of winter and its white shroud of snow.

The two most important gardening seasons in Japan are spring and winter. Japanese refer to the snow accumulated on braches as Sekku or snow blossoms. Yukimi, or the snow viewing lantern, is another typical element of the Japanese garden in winter. The sleep of the garden in winter is an important episode for our Japanese gardener, while for the western gardener spring is the beginning of the work at the garden. Maybe because of the eastern point of view as death like part of the life cycle, or perhaps the western fear to death.

About garden enclosures
Let's see the garden as a microcosm of nature. If we're looking for the garden to be a true retreat, we have to 'set it apart' from the outside world. Because of that, fences and gates are important components of the Japanese garden.

The fence and the gates have both symbolism and functionality. The worries and concerns of our daily life have to stay out of this separate world that becomes the garden. The fence protects us from the outside world and the gate is the threshold where we leave our daily worries and then prepare ourselves to confront the real world again.

The use of fences is based in the concept of hide/reveal or Miegakure. Fence styles are very simple and are put in combination with screen planting, thus not giving many clues of what hides inside. You can give a sample look of your garden by cutting a small window in the solid wall that encloses your garden if that's the case. Sode-gaki, or sleeve fences, are fences attached to an architectural structure, that will only show a specific view of the garden from inside the house. Thus, we're invited to get into the garden and enjoy it in its entirety. That's what makes the true understanding of the garden, to lose in it our sense of time and self.

Basic Arrangements
Despite the fact that certain rules are applied to each individual garden, don't think that there's just one type of garden. There are three basic styles that differ by setting and purpose.

Hill and Pond Garden (Chisen-Kaiyu-skiki)
A China imported classic style. A pond or a space filled with raked gravel fronts a hill (or hills). This style always represents mountainous places and commonly makes use of vegetation indigenous to the mountains. Stroll gardens commonly use this style.

Flat Garden (Hiraniwa)
It derives from the use of open, flat spaces in front of temples and palaces for ceremonies. This is an appropriate style for contemplation and that represents a seashore area (with the use of the right plants). This is a style frequently used in courtyards.

Tea Gardens (Rojiniwa)
Function has a greater importance than form in this type of garden. The Roji or dewy path, is the main point of the garden, along with the pond and the gates. This would be the exception to the rule. The simple and sparse plantings give a rustic feeling to the garden.

Formality has to be taken in consideration
Hill and pond and flat styles may be shin (formal), gyo (intermediate) or so (informal). Formal styles were to be found usually at temples or palaces, intermediate styles were suitable for most residences, and the informal style was used in peasant huts and mountain retreats. The tea garden is the one that always fits in the informal style.

The garden components

Rocks (ishi in Japanese) are the main concern of the Japanese garden. If the stones are placed correctly, then the garden shows in a perfect balance. So here are shown the basic stone types and the rules for their positions.

The basic stones are the tall upright stone, the low upright stone, the curved stone, the reclining stone, and the horizontal stone. These must be usually set in triads although this doesn't happen always. Two almost identical stones (by way of example, two tall verticals or two reclining stones), one a little quite smaller than the other, can be set together as male and female, but the use of them in threes, fives, and sevens is more frequent.

We have to keep away from the Three Bad Stones. These are the Diseased stone (having a withered or misshapen top), the Dead stone (an obviously vertical one used as a horizontal, or vice versa, like the placement of a dead body), and the Pauper Stone (a stone having no connection to the several other ones in the garden). Use only one stone of each of the basic types in any cluster (the rest have to be smaller, modest stones also known as throwaway stones). Stones can be placed as sculptures, set against a background in a two-dimensional way, or given a purpose, such as a stepping stone or a bridge.

When used as stepping stones they should be between one and three inches above the soil, yet solid underfoot, as if rooted into the ground. They can be put in straight lines, offset for left foot, right foot (referred as chidori or plover, after the tracks the shore bird leaves), or set in sets of twos, threes, fours, or fives (and any combination thereof).

The pathway stands for the passage through life, and even particular stones by the path may have meaning. A much wider stone placed across the path tells us to put two feet here, stopping to enjoy the view. There are numerous stones for specific places. When observing the basic design principles, we can notice the exact character of the Japanese garden.

Water (mizu in Japanese) plays an important part in the composition of the Japanese garden because of Japan's abundant rainfall. Water can be represented even with a raked gravel area instead of water. A rushing stream can be represented by placing flat river stones closely together. In the tea garden, where there isn't any stream or pond, water plays the most important role in the ritual cleansing at the chozubachi, or water basin. As the water fills and empties from the shishi-odoki, or deer scare, the clack of bamboo on rock helps mark the passage of time.

The flow of water, the way it sounds and looks, brings to mind the continual passage of time. A bridge crossing the water stream is often used as a landscaping complement. Bridges denote a journey, just as pathways do. Hashi, in japanese, can mean bridge or edge. Bridges are the symbolic pass from one world into another, a constant theme in Japanese art.

Plants or Shokobutsu may play a secondary role to the stones in the garden, but they are a primary concern in the design too. Stones represent what remains unchanged, so trees, shrubs, and perennials have to represent the passing of seasons. Earlier garden styles used plants to make up poetic connotations or to correct geomantic issues, but these have little meaning today.

As the the Heian style diminished under the Zen influence, perennials and grasses fell out of use. So, for a long time, there were only a few plants that tradition allowed for the garden. However, in modern Japan, designers are again widening the spectrum of materials used. It is highly recommended that native plants are chosen for the garden, because showy exotic plants are not in good taste. Be aware that native plants are used in the garden, because it is in bad taste to use showy exotic plants. Although pines, cherries and bamboo immediatly remind us of Japanese gardens, we encourage you to use native plants of your locality that you can find pleasing. If we choose evergreens as the main plant theme and combine it with deciduous material that may provide seasonal blooms or foliage color we can recreate the look of the Japanese garden.

Now the next thing taken in consideration in a Japanese garden are the ornaments or Tenkebutsu. Stone lanterns are, for westerners, a typical impression of Japanese gardens.Stone lanterns are not important components of the Japanese garden. The reason is that ornaments are subjected to the garden's design. Lanterns, stupas, and basins are just architectural complements added when a point of visual interest is necessary to the design.

A good way to finish yor garden design could be a well-placed lantern. The three main styles (although with many variations) are: The Kasuga style lantern, is a very formal one featuring a stone base. In the Oribe style lantern, unlike the Kasuga style, the pedestal is underneath the ground. The Yukimi or Snow-Viewing lantern is set on short legs instead of a pedestal. Consider the formality of your garden setting to choose the appropiate lantern.

When possible, elements from outside the garden can be included in it. For instance, you can work a far away mountain including the scenery in your design, framing it with the stones and plants existing in the garden.
The borrowed scenery (shakkei in Japanese) can be: Far (as in a far away mountain); near (a tree just outside the fence); High (an element seen above the fence) or low (like a component seen below a fence or through a window in the fence).

As much as it is perceived to contradict our sense of enclosure, it reminds us of how all things are interconnected.

The feel of your garden
The Japanese garden is a subtle place full of contradictions and imperatives. Where firmly established rules are broken with other rules. If you meet the Buddha on the road, you must kill him is a Zen paradox that recommends not to stick so tightly to rules, and the same goes for Japanese gardens.

When building a Japanese garden, don't get too attached to traditions that hold little meaning for you. It would have no function to recreate a Buddhist saints garden. This also applies to trying to remember the meaning of stone placements, as this method is no longer used in Japan, or even in the United States, due to the lack of meaning for us in the modern world.

That's why we have selected a few gardening suggestions that do hold relevance and integrate them into a garden. These three ideas on gardening will give direction to achieve perfect results.

First
The overall setting of the garden should always be right for the location, not the other way around.

Second
The stones should be placed first, next the trees, and then the shrubs.

Third
Get used to the concepts of shin, gyo, and so. This is of great help to start working on the garden.

Have in mind that the real Japanese gardens are the traditional ones in Japan. What we can do in America is to shape a garden in the Japanese style. Rikyu once said about the perfect Roji: "Thick green moss, all pure and sunny warm". In other words, techniques are not as important as the feeling you evoke in your garden. Said in other way, the feeling is more important than techniques.

Read more...

The Basics of Japanese Gardening

Things to keep in mind for a beautiful garden

Main principles on the garden's design

Bring the Japanese feeling into your garden with these basic steps. First of all, embrace the ideal of nature. That means, keep things in your garden as natural as possible, avoiding to include things that could disrupt this natural appearance.

For example, don't include square ponds in your design as square ponds are nowhere to be found in nature. Also, a waterfall would be something closer to what exists in nature if we compare it to a fountain. So you also have to consider the Japanese concept of sumi or balance. Because one of Japanese gardening design main purposes is to recreate large landscapes even in the smallest place. Be careful when choosing the elements for your garden, because you don't want to end up filling your ten by ten courtyard with huge rocks.

As a miniaturized landscape, the rocks in the garden would represent mountains and the ponds would represent lakes. A space filled with sand would represent an ocean. By that we assume that garden masters were looking to achieve a minimalistic approach, best represented by the phrase "less is more".

The elements of time and space

One of the things westerners notice at first are the many portions of empty space in the garden. In fact, these spaces are an important feature in Japanese gardening. This space called ma, relates to the elements around it and that also surround it. The concepts of in and yo are of vital importance here, they are best known to the Western civilization by the Chinese names yin and yang. If you want to have something you have to start with having nothing. This is an idea quite difficult to understand, but it is a rule of thumb in Japanese gardening.

An important clue in the development of a garden is the concept of wabi and sabi. There's no literal English translation for those words. Wabi is about uniqueness, or the essence of something; a close literal translation is solitary. Sabi deals with the definition of time or the ideal image of something; the closest definition might be time strenghtened character. Given the case, a cement lantern that might appear unique, would lack of that ideal image. Or an old rock covered in lichens would have no wabi if it's just a round boulder. That's why it is important to find that balance.

Ma and wabi/sabi are connected to the concepts of space and time. When it comes to seasons, the garden must show the special character of each one. Japanese garden lovers dedicate time to their gardens every season, unlike the western gardener who deserts in fall just to be seen again in spring.

A very relaxing view in spring is given by the bright green of new buds and the blossoms of the azaleas. In summer, the lush foliage in combination with the pond offer a powerful and fresh image. The vivid spectacle of the brilliant colors of dying leaves in fall are a prelude for the arrival of winter and its white shroud of snow.

The two most important gardening seasons in Japan are spring and winter. Japanese refer to the snow accumulated on braches as Sekku or snow blossoms. Yukimi, or the snow viewing lantern, is another typical element of the Japanese garden in winter. The sleep of the garden in winter is an important episode for our Japanese gardener, while for the western gardener spring is the beginning of the work at the garden. Maybe because of the eastern point of view as death like part of the life cycle, or perhaps the western fear to death.

About garden enclosures
Let's see the garden as a microcosm of nature. If we're looking for the garden to be a true retreat, we have to 'set it apart' from the outside world. Because of that, fences and gates are important components of the Japanese garden.

The fence and the gates have both symbolism and functionality. The worries and concerns of our daily life have to stay out of this separate world that becomes the garden. The fence protects us from the outside world and the gate is the threshold where we leave our daily worries and then prepare ourselves to confront the real world again.

The use of fences is based in the concept of hide/reveal or Miegakure. Fence styles are very simple and are put in combination with screen planting, thus not giving many clues of what hides inside. You can give a sample look of your garden by cutting a small window in the solid wall that encloses your garden if that's the case. Sode-gaki, or sleeve fences, are fences attached to an architectural structure, that will only show a specific view of the garden from inside the house. Thus, we're invited to get into the garden and enjoy it in its entirety. That's what makes the true understanding of the garden, to lose in it our sense of time and self.

Basic Arrangements
Despite the fact that certain rules are applied to each individual garden, don't think that there's just one type of garden. There are three basic styles that differ by setting and purpose.

Hill and Pond Garden (Chisen-Kaiyu-skiki)
A China imported classic style. A pond or a space filled with raked gravel fronts a hill (or hills). This style always represents mountainous places and commonly makes use of vegetation indigenous to the mountains. Stroll gardens commonly use this style.

Flat Garden (Hiraniwa)
It derives from the use of open, flat spaces in front of temples and palaces for ceremonies. This is an appropriate style for contemplation and that represents a seashore area (with the use of the right plants). This is a style frequently used in courtyards.

Tea Gardens (Rojiniwa)
Function has a greater importance than form in this type of garden. The Roji or dewy path, is the main point of the garden, along with the pond and the gates. This would be the exception to the rule. The simple and sparse plantings give a rustic feeling to the garden.

Formality has to be taken in consideration
Hill and pond and flat styles may be shin (formal), gyo (intermediate) or so (informal). Formal styles were to be found usually at temples or palaces, intermediate styles were suitable for most residences, and the informal style was used in peasant huts and mountain retreats. The tea garden is the one that always fits in the informal style.

The garden components

Rocks (ishi in Japanese) are the main concern of the Japanese garden. If the stones are placed correctly, then the garden shows in a perfect balance. So here are shown the basic stone types and the rules for their positions.

The basic stones are the tall upright stone, the low upright stone, the curved stone, the reclining stone, and the horizontal stone. These must be usually set in triads although this doesn't happen always. Two almost identical stones (by way of example, two tall verticals or two reclining stones), one a little quite smaller than the other, can be set together as male and female, but the use of them in threes, fives, and sevens is more frequent.

We have to keep away from the Three Bad Stones. These are the Diseased stone (having a withered or misshapen top), the Dead stone (an obviously vertical one used as a horizontal, or vice versa, like the placement of a dead body), and the Pauper Stone (a stone having no connection to the several other ones in the garden). Use only one stone of each of the basic types in any cluster (the rest have to be smaller, modest stones also known as throwaway stones). Stones can be placed as sculptures, set against a background in a two-dimensional way, or given a purpose, such as a stepping stone or a bridge.

When used as stepping stones they should be between one and three inches above the soil, yet solid underfoot, as if rooted into the ground. They can be put in straight lines, offset for left foot, right foot (referred as chidori or plover, after the tracks the shore bird leaves), or set in sets of twos, threes, fours, or fives (and any combination thereof).

The pathway stands for the passage through life, and even particular stones by the path may have meaning. A much wider stone placed across the path tells us to put two feet here, stopping to enjoy the view. There are numerous stones for specific places. When observing the basic design principles, we can notice the exact character of the Japanese garden.

Water (mizu in Japanese) plays an important part in the composition of the Japanese garden because of Japan's abundant rainfall. Water can be represented even with a raked gravel area instead of water. A rushing stream can be represented by placing flat river stones closely together. In the tea garden, where there isn't any stream or pond, water plays the most important role in the ritual cleansing at the chozubachi, or water basin. As the water fills and empties from the shishi-odoki, or deer scare, the clack of bamboo on rock helps mark the passage of time.

The flow of water, the way it sounds and looks, brings to mind the continual passage of time. A bridge crossing the water stream is often used as a landscaping complement. Bridges denote a journey, just as pathways do. Hashi, in japanese, can mean bridge or edge. Bridges are the symbolic pass from one world into another, a constant theme in Japanese art.

Plants or Shokobutsu may play a secondary role to the stones in the garden, but they are a primary concern in the design too. Stones represent what remains unchanged, so trees, shrubs, and perennials have to represent the passing of seasons. Earlier garden styles used plants to make up poetic connotations or to correct geomantic issues, but these have little meaning today.

As the the Heian style diminished under the Zen influence, perennials and grasses fell out of use. So, for a long time, there were only a few plants that tradition allowed for the garden. However, in modern Japan, designers are again widening the spectrum of materials used. It is highly recommended that native plants are chosen for the garden, because showy exotic plants are not in good taste. Be aware that native plants are used in the garden, because it is in bad taste to use showy exotic plants. Although pines, cherries and bamboo immediatly remind us of Japanese gardens, we encourage you to use native plants of your locality that you can find pleasing. If we choose evergreens as the main plant theme and combine it with deciduous material that may provide seasonal blooms or foliage color we can recreate the look of the Japanese garden.

Now the next thing taken in consideration in a Japanese garden are the ornaments or Tenkebutsu. Stone lanterns are, for westerners, a typical impression of Japanese gardens.Stone lanterns are not important components of the Japanese garden. The reason is that ornaments are subjected to the garden's design. Lanterns, stupas, and basins are just architectural complements added when a point of visual interest is necessary to the design.

A good way to finish yor garden design could be a well-placed lantern. The three main styles (although with many variations) are: The Kasuga style lantern, is a very formal one featuring a stone base. In the Oribe style lantern, unlike the Kasuga style, the pedestal is underneath the ground. The Yukimi or Snow-Viewing lantern is set on short legs instead of a pedestal. Consider the formality of your garden setting to choose the appropiate lantern.

When possible, elements from outside the garden can be included in it. For instance, you can work a far away mountain including the scenery in your design, framing it with the stones and plants existing in the garden.
The borrowed scenery (shakkei in Japanese) can be: Far (as in a far away mountain); near (a tree just outside the fence); High (an element seen above the fence) or low (like a component seen below a fence or through a window in the fence).

As much as it is perceived to contradict our sense of enclosure, it reminds us of how all things are interconnected.

The feel of your garden
The Japanese garden is a subtle place full of contradictions and imperatives. Where firmly established rules are broken with other rules. If you meet the Buddha on the road, you must kill him is a Zen paradox that recommends not to stick so tightly to rules, and the same goes for Japanese gardens.

When building a Japanese garden, don't get too attached to traditions that hold little meaning for you. It would have no function to recreate a Buddhist saints garden. This also applies to trying to remember the meaning of stone placements, as this method is no longer used in Japan, or even in the United States, due to the lack of meaning for us in the modern world.

That's why we have selected a few gardening suggestions that do hold relevance and integrate them into a garden. These three ideas on gardening will give direction to achieve perfect results.

First
The overall setting of the garden should always be right for the location, not the other way around.

Second
The stones should be placed first, next the trees, and then the shrubs.

Third
Get used to the concepts of shin, gyo, and so. This is of great help to start working on the garden.

Have in mind that the real Japanese gardens are the traditional ones in Japan. What we can do in America is to shape a garden in the Japanese style. Rikyu once said about the perfect Roji: "Thick green moss, all pure and sunny warm". In other words, techniques are not as important as the feeling you evoke in your garden. Said in other way, the feeling is more important than techniques.

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